DTT while being accused of fast plot pace and sharp scene changes, seems to be matching both abstraction of the idea and concrete action. That's why so called one-dimensional characters are the most suitable there. The plot should not be boring with too many romance scenes that are not gluing to the idea of the picture. It's, to the top, rather well compensated with variety of spies characters. It's good that the ATM has different colours. To the fact, spies are not obligatory like James Bond neither in figure nor in actions. When KGB dispersed and many former spies were revealed everyone could see mostly just simple people in them and no black tints on their face or ...clothes. If Jordan (CASH) seems to be a tough-touch character for a spy, it's not the sequence for Takeshi (JACKAL) to be the same. Do they have a competition for viewer's praise in being more aggressive and tough?

For a not one-dimension-brained viewer it would be worth to have opportunity to think about every character himself, but not get a ready dish. For example, Jackal could be a boy who didn't have parents' care and got into a spy group once, occasionally, seeking for his individual realization, also being talented and kind-hearted naturally. While coming across many difficulties on his spy way, he finds a necessity of changing his life. Thus, Jackal is precisely introduced in the beginning of the movie when showing his wish to leave his spy-work (scene in Hong Kong, when driving his car and talking to Cash via radio). But the latter (though wishing changes in his life as well) persuades Jackal to stay a team member longer. The opposite situation appears at the end of the movie when Jackal manages to deter Cash of the team colliding.

As for romance, it's obviously that Jackal is not predisposed to Sam during the plot, however she manages to put him closer to herself and probably because of his such character: kindness and charm, of course. Sam's not indifference is shown in the last scene of the movie, and there's no use in showing their kisses or... All that makes a high rate of Kaneshiro's character, as high as Chan's one.

Phoenix's early death is a sad thing but it's a considerable difference (feature) from that majority of action movies. Titan's disappearance is less effective than that of Phoenix. The only remark is that it's badly shown that her death is the reason of her death. It's the most likely that she was injured by the bomb because she couldn't realize the situation with the bomb in the case Titan brought, and react in time.

It's also not clear about how could the team get their truck back after they escaped from MI5 station that was a distance from the place they were arrested.

Of course, the plot could be enlarged with scenes of how did the team get to Budapest from Hong Kong in 1 day having no passports and means. The plot is made well in the meaning of: 'Everything just starts!' It gives a viewer to think about the team's future and the author - an opportunity to make a sequel (may-be like that of 'MB2').