Saya (Jeon Ji-Hyeon) is a 400 year old half human, half-vampire who was sired by a human demon/vampire hunter and a vampire mother. Raised and trained to become a hunter by a man called Kato, Saya is now the chief operative of a secret organization who hunts vampires called the 'Council', in her quest to seek out the most powerful vampire, Onigen--also said to be one of the oldest of the vampires. Saya is sent to go undercover at a U.S. air force base located in Japan. Saya is a loner and likes to work alone, but as fate would have it, she forms an uneasy friendship with a girl named Alice after she saved her from other demons. Saya is determined to kill her way to find Onigen, but now it seems like the hunter has become the hunted...

When Bill Kong announced the live-action rendition of "Blood the Last Vampire" and decided to shoot the film primarily in English rather than Japanese, I was excited. The film had experienced several hurdles before it went to production, but hey, I guess this is what happens when American filmmakers invest in the making of a film. The film's backdrop takes place during the 1970's with the shadow of the Vietnam War looming in Japan. The film follows the plot and tone set by the anime series, as shape-shifting demons and vampires are living among the human population, they are everywhere and Saya is on the road for vengeance as the most powerful vampire, Onigen (played by Koyuki, Last Samurai) is the one who had killed her father centuries ago. The film is a story of vengeance and redemption, and the script by Chris Chow does remember to explore the depths of Saya's soul; yes, Saya is a vampire with a conscience, raised by humans with some very human emotions and sensibilities.

Much of Saya's background is told in the form of her own narration. I was quite pleased that although Saya looks like someone in her early twenties, she acts like a mature, experience-rich woman. Nicely portrayed by Jeon Ji-Hyeon, Saya is a vampire whose soul is torn between the human world and the demon world. She is at odds with herself, and one may say that her hatred for Onigen is the one catalyst for her to hunt down her own kind. Saya is half human, therefore she can walk under the sunlight, all the more having the same strengths and weaknesses as her full-blooded brethren. Saya still feeds on blood, but she hasn't murdered anyone for them. It does open a small plot hole as to how and when she stopped aging, or if she ages rather slowly but I was willing to overlook this minor gap. The direction by Chris Nohan does also capture the mood, the tone and the atmosphere of the Japanese anime. The film also features several scenes that are reminiscent of the anime film; the film's opening act carries a lot of nostalgia for its fans as well as the scene in the file room. Some kill scenes and death scenes look like they came from the anime.

Now, granted, this is an action-fantasy film; so does "Blood the Last Vampire" deliver in the action sequences? Yes and No. Yes: There is a lot of action and the fight choreography by Corey Yuen is pretty stylish, cool and intense at times. The use of the usual wire-fu is inherent in the film's fights. There is a lot of slashing and dicing done by lovely Jeon Ji-Hyeon. The film's fights are full of cool posturing complete with moody stares; it does have a similar attitude to its source material. The fights have that usual bone-crushing impact and stylish swordplay. No: As cool as the film's fight sequences were, they aren't really very different from those seen before and offers very little that is fresh or inventive. The camerawork needed to hang back a little so the viewer can see the moves; I don't mind the occasional slow-motion as long as it is done right, but the editing had a few missteps that there was a scene with a truck on the cliff that Saya is seen with her sword then Alice tosses it to her--Flawed editing truly hurts an action film.

The film has its share of blood and gore, but most of them were CGI-enhanced. I thought this ruined the film's tone, the anime had the signature Japanese arterial spray-blood splattering effects, why did the filmmakers resort to cheap CGI? The film's fights would have felt more faithful to the anime if it utilized red ink and prosthetics. Also, the CGI-generated monsters look very cheap and rather fake; a clear indication of its limited budget. The final encounter between Saya and Onigen may also seems a little underwhelming, but keep in mind that there is an implied twist; Onigen wants Saya to embrace her demonic background. The encounter does look nifty, that seems to take place in a dream-like plane of existence but I thought it was a little too short. Koyuki is so beautiful as the evil Onigen.

The film does have its share of weaknesses in the screenplay, it may prove to be downright predictable. The film does establish the links between Saya and Onigen, and you can see the twist from a mile away. I suppose that the direction didn't put too much foreshadowing in its delivery; that any secrets is meant to be as such. I just found it a little hard to believe that the so-called twist wasn't found out within 400 years. Also, Saya's friendship with Alice felt a little too forced. Alice (played by Allison Miller) obviously was only meant as a plot device to establish some human friendship. Saya is handled by an elder named Michael (Liam Cunningham) and he was a little underused, but I thought Kato (Yasuaki Kurata) added a lot of needed depth to the film's story. The `council' itself is a bit more fleshed out as a group of different individuals with different beliefs. The question does become asked; after Saya has killed most of the demons and vampires--what is to become of her? She is what she hunts, although she isn't without a conscience and a soul.

Overall, the film does have some missteps, but it did do a lot more things right than wrong. "Blood the Last Vampire" will no means become a classic; I did believe that while it should have been better, I was very thankful that the film wasn't a failure. The action scenes does have its share of weaknesses, but they were acceptable and better compared to those done in "Catwoman" and other Hollywood action flicks with this type of budget. The CGI-enhanced monsters and blood effects hampered the film's fight sequences and I wished for the traditional red ink. The film does fulfill the needs of the main character's development that Saya became one compelling individual. Plus, Jeon Ji-Hyeon does look convincing as a vampire-hunting school girl. The film is aimed towards fans of the anime, it does capture the mood, the tone and the attitude of the source material.

I was just happy that U.S. filmmakers didn't massacre the anime's spirit, that this Americanized version carried enough of the Japanese style and attitude.

Recommended!