• New, restored high-definition digital transfer
• "Salò": Yesterday and Today, a 33-minute documentary featuring interviews with director Pier Paolo Pasolini, actor-filmmaker Jean-Claude Biette, and Pasolini friend Nineto Davoli
• Fade to Black, a 23-minute documentary featuring directors Bernardo Bertolucci, Catherine Breillat, and John Maybury, as well as scholar David Forgacs
• The End of "Salò", a 40-minute documentary about the film’s production
• New interviews with set designer Dante Ferretti and director and film scholar Jean-Pierre Gorin
• Optional English-dubbed soundtrack
• Theatrical trailer
• PLUS: A booklet featuring new essays by Neil Bartlett, Catherine Breillat, Naomi Greene, Sam Rohdie, Roberto Chiesi, and Gary Indiana, and excerpts from Gideon Bachmann’s on-set diary

About the Transfer:
Salò, or the 120 Days of Sodom is presented in its original aspect ratio of 1.85:1. Black bars at the top and bottom of the screen are normal for this format. This new high-definition digital transfer was created on a Spirit 2K Datacine from a 35 mm interpositive. Thousands of instances of dirt, debris, and scratches were removed using the MTI Digital Restoration System. To maintain optimal image quality through the compression process, the picture on this dual-layer DVD-9 has been encoded at the highest-possible bit rate for the quantity of material included.

The soundtrack was mastered at 24-bit from the 35 mm magnetic track. Audio restoration tools were used to reduce clicks, pops, hiss, and crackle. The Dolby Digital 1.0 signal will be directed to the center channel on surround sound systems, but some viewers may prefer to switch to two-channel playback for a wider dispersal of the mono sound.