If one draws a distinction between old style yakuza cinema, in which the lone hero fights against overwhelming numbers of opponents with unfailing honor, and the newer variety, in which all of the yakuza are curs, this falls mostly within the first camp. Although Gosha generally had very good cinematographers--which is obvious in his samurai tales such as "Four Outlaw Samurai", "Goyokin", and "Tenchu"--his late period yakuza and girl action films have, until recently, generally been available in the United States only in very poor quality prints. While the US AnimEigo print is not perfect, it is much better than most of what was previously available.