Une Femme Est Une Femme: Technical Notes

Technical Notes Technical Notes:
Une Femme Est Une Femme
All Content Used With Permission.


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    by Criterion



Special Features
  • New high-definition digital transfer, supervised by director of photography Raoul Coutard, with restored image and sound and enhanced for widescreen televisions
  • Charlotte et Véronique ou Tous les garçons s'appellent Patrick (All Boys Are Called Patrick, 1957), an early short film by Godard with Jean-Claude Brialy, written by Eric Rohmer
  • "Qui êtes-vous Anna Karina?"; excerpts from a1966 French television interview with Karina, Brialy, and Serge Gainsbourg
  • Publicity for A Woman Is a Woman featuring the original trailer, rare on-set photos by photographer Raymond Cauchetier, a poster and stills gallery, and an audio promotional recording for the film
  • New and improved English subtitle translation
  • Optimal image quality: RSDL dual-layer edition
  • Plus: a 24-page booklet featuring excerpts from a 1961 interview with Godard and director of photography Raoul Coutard about A Woman Is a Woman, and a new essay by film critic J. Hoberman

About the Transfer:
A Woman Is a Woman is presented in its original aspect ratio of 2.35:1. Black bars at the top and bottom of the screen are normal for this format. Director of photography Raoul Coutard supervised this new high-definition digital transfer, which was created on a Spirit Datacine from a new 35mm interpositive. Thousands of instances of dirt, debris, and scratches were removed using the MTI Digital Restoration System. The soundtrack was mastered at 24-bit from the magnetic track, and audio restoration tools were used to reduce clicks, pops, hiss, and crackle. The Dolby Digital 1.0 signal will be directed to the center channel on 5.1-channel sound systems, but some viewers may prefer to switch to two-channel playback for a wider dispersal of the mono sound.




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