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| Whenever I watch a Quentin Tarantino film, it's a journey through time. A Tarantino film can mash decades upon decades and still give a crowd-pleasing movie. The director is very talented, he mixes genres and puts cult icons among pop culture. There is only a handful of directors that can do it so well, and plus with today's generation; films are often remakes or adaptations of comics. Though Tarantino takes material from films that he enjoys, it feels different because he is not stealing the material. He's basically capturing the material in his own point of view.
It was April 2007 and I spent almost three and a half hours in a darkened theater room full of fan boys and girls. The event of this elbow-to-elbow show was "Grindhouse", one of the best movie experiences I have ever had. It's great to be in a room full of people that have the same taste in films, it makes any movie venture amazing. The film that most of the screaming fans were waiting for was "Death Proof", and it was a complete joy as soon as the title came to the screen. The film of course started with a foot fetish galore, because it is a Tarantino film.
There's is a lot of debate that this film has two halves, to me this is just another grind house experience. "Death Proof" starts off with disc jockey talk leading to bar talk. Plus a cameo from gore hound Eli Roth as a drunken partier. The film doesn't really kick into high gear until the presence of Kurt Russell's creepiness at the bar. His role of "Stuntman Mike" is funny, offbeat, and scary. The true stars of the film are muscle cars, a 1970 Chevy Nova and a 1969 Dodge Charger. The car gave Stuntman Mike's momentum to actually cause true danger, without the car he's basically harmless but still creepy. I believe it's the car that makes someone a bad ass, and without it you lose all the bad ass appeal. The same theory goes with the man with a gun, without the gun he better know some kung fu, and if he doesn't know he's screwed.
"Death Proof" is a wild ride, the last half switches gears from creepy Kurt Russell to playful Russell. Plus the stunt work from Zoe Bell is jaw breaking. The car chase is great and it never slows down, with wonderful dialogue that keeps you on the edge of your seat. The film's ending is the best I've seen from 2007. "Death Proof" is a true grind house experience mixing horror, car chases, car crashes, foot fetishes, women out for revenge, stereotypes, amazing stunt work, catchy dialogue, and a nice score. This movie has it all. |
| | AGREE? | READER COMMENTS | AUTHOR | | Y | The film is Tarantino mayhem, which always works. | Black Belt Ninja | | Y | Death Proof shows Tarantino can do a great car chase. | Ashley | | Y | I'm with you. I thoroughly enjoyed this one. Russell at his best. When he gets hurt he makes you feel it. Vintage QT. | Garvinstomp | | Y | Awesome and consise review. I love this flick. It is arguably QT's best film. | Bastard Ronin | | Y | Good review dude, the movie is great- it has everything for anybody. There is a lot of people that dislike this movie, but hey the director is a true fan boy making movies for the true fans. | Rambo part 5 please |
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| "Death Proof", in its uncut, stand-alone format, takes a while to warm up. There's plenty of character development in the early scenes as we're introduced to Jungle Julia (the gorgeous Sydney Tamiia Poitier) and her friends. Vanessa Ferlito is the central girl in these scenes and captures the mood perfectly. When she's introduced to Stuntman Mike (Kurt Russell), her fear is portrayed perfectly.
The first half of the film is deliberately jumpy and covered in scratches and noise. "Death Proof" really does look like part of an old grindhouse double-bill but there are nods to the present day (i.e. the use of a mobile 'phone to text a boyfriend). It's great stuff - authentic and strangely absorbing.
Following a dramatic set-piece that will stay with the viewer forever, we meet the second gang of chicks with attitude. This second-half is a more polished affair as we see Rosario Dawson and her friends enjoying life. Mary Elizabeth Winstead is great as the beautiful young model and Tracie Thoms is spot-on as the strong-willed Kim. However, it's Zoe Bell who will really be remembered. In her role of stunt-girl Zoe, she performs in truly edge-of-seat action scenes aboard a charging car.
A great film and one that really starts to gel as it progresses. The soundtrack is fantastic and the actors are all thoroughly watchable. I was left feeling very impressed with "Death Proof" (and more than a little smitten by Ms. Dawson).
Kurt Russell is as good as ever as Stuntman Mike. He really is bad, mad and dangerous-to-know and his presence in the early scenes is remarkably unsettling yet darkly humorous.
4.5 stars. I'm really looking forward to watching this film again... |
| | AGREE? | READER COMMENTS | AUTHOR | | Y | Totally - Stuntman Mike is one sick mofo, Zoe Bell is my hero, and the end of the movie was just hot. | Miho | | Y | I'm glad some people can appreciate a well crafted film. I whole-heartedly agree with your review. | Bastard Ronin |
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 |  |  |  |  Great film, reminds a lot of people who grew up in the 60's - 80's of the grindhouse era, and it's just pure fun. I suggest anyone who comes across this film to give it a go. ;) | | AGREE? | READER COMMENTS | AUTHOR | | Y | I completely agree. This was one of Tarantino's best offerings and it utilizes all of his trademarks in fluid and compelling manor. A bunch of people don't get this movie and it's a shame. | Bastard Ronin | | N | I think the idea, Mad Monkey, is that even though Tarantino sets them up as being a fairly shallow bunch, we still end up feeling saddened after witnessing their tragic fate. In the end, their characters are mere fodder for introducing Russell's maniac. | kanto wanderer | | N | Action scenes in the movie merit a 4/5, but half the movie is dialogue where superficial girls are flirting and prattling on. Rather than building sympathy for the girls, I felt happy to see them annihilated, if only the annoying torrent of blether would | Mad Monkey |
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