People's Hero: Reviews

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People's Hero
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    by City On Fire
    www.cityonfire.com




I'm probably the 200th person to mention that Derek Yee's "People's Hero" is a lot like Sidney Lumet's 1975 Heist film "Dog Day Afternoon." There's a reason for that... IT IS! I'm not going to get into critical details to why I think this or why I think that... I'm aware that there are key differences between the two films, but trust me, they are essentially the same film. Anyone who thinks otherwise is full of shit.

Here's the basic plot without any spoilers (promise): Two dorks (Tony Leung Chiu-Wai and Ronald Wong) decide to rob a bank. Things start to go wrong and they find themselves trapped inside surrounded by an army of Hong Kong policemen. To make matter worse, one of the hostages turns out to be a ruthless murderer (Ti Lung) who ultimately takes over the whole situation with his own personal motives.

If you want to see John Woo-type shoot em' ups (forgive me for using that cliche bullshit line), or any sort of action, you'll be disappointed. If you're a fan of slick entertainment, great dialogue, and want to see one of Hong Kong's best kept cinematic secrets, then, by all means, watch this film.

The performances are stellar. It's great to see a young Tony Leung Chiu-Wai in action. Even back then, the guy was just as intense and charismatic as he is today. Same goes for Shaw Veteran Ti Lung and to a lesser extent, Tony Leung Ka-Fai (who plays a negotiating cop), since he doesn't have any major scenes that really stand out. It's not surprising that People's Hero won a couple of Hong Kong film awards for Tony Leung Chiu-Wai and Elaine Kam's acting.

And remember, whether you loved or hated, watched or didn't watch - or even thought Dog Day Afternoon was just "okay" - I still highly recommend People's Hero.

Oh, and to all you whiny "Hollywood-Likes-To-Steal-From-Asian-Movies" assholes? I give this Asian "copycat" film a perfect 10. So, uh, fuck off. Originality isn't what makes a great movie, it's the filmmaker's execution. Got that?

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    by Hong Kong Film Net
    www.hkfilm.net




People's Hero failed to make much of an impact with local audiences upon its' release in 1987. And, despite it winning two Hong Kong Film Awards for acting (via Tony Leung Chiu-Wai and Elaine Kam), it's gone virtually un-noticed for the twenty years since. That's a shame, since People's Hero is a very solid crime picture that manages to be very exciting, even though there is next to no action during the entire running time.

The movie is, on the surface, about a bank robbery that goes horribly wrong. However, like many productions done by Derek Yee and John Shum, there is a deeper subtext about Hong Kong society as a whole. People's Hero's protagonist is Sai (Tony Leung Chiu-Wai), a young man who takes to robbery to pay off his debts. Things start to go south when his partner, Boney (Ronald Wong) has an epiletic fit which leads to a shootout that attracts the cops.

Sai is ready to give himself up when one of the customers produces a very large gun -- turns out he's a very nasty criminal named Sunny Koo (Ti Lung). Sunny takes the customers (and former robbers) hostages and begins to negotiate with the police, who are led by Chan (Tony Leung Ka-Fai). Sunny's main demand is that his girlfriend Lotus (Elaine Kam) be let out of jail; Chan agrees, but Chan's superior officer, Cheung (Paul Chun Pui), doesn't plan to let Sunny go so easily.

That's a fairly dense plot summary for what would usually be a standard crime movie, and it's all the more amazing that it's all packed into an eighty-minute package. There's no bloat at all here. Every scene and every line is important to the film. New directors (as well as many veterans) would be well-advised to take a look at this picture and realize that making a movie three hours long doesn't necessarily make it good.

And if you thought the above summary spoiled things, don't worry. There are a lot of little twists and turns here that a short review couldn't even hope to delve into. The hostages each represent a certain segment of life in Hong Kong at the time. There's the loud Triad, the nouveau riche Mainlander, the east Asian immigrant, the bratty teenager, the stubborn old lady, and so forth. On the surface, this seems like a cheesy gimmick, but Derek Yee really makes it work, and seeing the interaction the hostages have between themselves is just as interesting as the deadly game the criminals and cops are playing with each other.

There's nothing really flashy at all about People's Hero. In fact, it's pretty low-budget and cheap-looking. But it's something a lot of the recent over-blown Hong Kong productions aren't. It's exciting without insulting the viewer's intelligence, and once again proves that a skilled film-maker working with talented actors will win over CGI-gasms (no matter how much money is thrown at the effects) any day of the week. With Mei Ah's recent DVD release, a new audience has a chance to take a look at this film, which is definitely one of the hidden gems of the "golden age".

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