Cheng appears as her otherwise known screen persona, the one possessing little female traits but those traits are this time forced and her chemistry with Simon Yam is poor. Director Jamie Luk (also co-star) takes the characters places but for no plausible or logic reasons and useless asides such as a focus on a school election marks Luk's lack of strength in his core material. Enter Karel Wong at sporadic points to turn the piece bloody and yet another poorly fitted mood takes refuge in The Killer's Love.