Seven Samurai: Technical Notes

Technical Notes Technical Notes:
Seven Samurai
All Content Used With Permission.


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    by HKFlix
    www.hkflix.com

The release date for this DVD is 9/5/2006.



    by Criterion



SPECIAL EDITION THREE-DISC SET FEATURES:
  • All-new, restored high-definition digital transfer

  • Two audio commentaries: one by film scholars David Desser, Joan Mellen, Stephen Prince, Tony Rayns, and Donald Richie; the other by Japanese-film expert Michael Jeck

  • A 50-minute documentary on the making of Seven Samurai, part of the Toho Masterworks series Akira Kurosawa: It Is Wonderful to Create

  • My Life in Cinema, a two-hour video conversation between Akira Kurosawa and Nagisa Oshima produced by the Directors Guild of Japan

  • Seven Samurai: Origins and Influences, a new documentary lookimg at the samurai traditions and films that impacted Kurosawa's masterpiece

  • Theatrical trailers and teaser

  • Gallery of rare posters and behind-the scenes and production stills

  • New and improved English subtitle translation

  • PLUS: A booklet featuring essays by Peter Cowie, Philip Kemp, Peggy Chiao, Alain Silver, Kenneth Turan, Stuart Galbraith, Arthur Penn, and Sidney Lumet and an interview with Toshiro Mifune

  • More!



    by Criterion



ABOUT THE TRANSFER:
Seven Samurai is presented in its original aspect ratio of 1.33:1. The picture has been slightly window-boxed to ensure that the maximum image is visible on all monitors. On widescreen televisions, black bars will appear on the left and right of the image to maintain the proper screen format. The original negative of the film is no longer available, so a new duplicate negative was created with wet gate processing from the original fine-grain master positive. This new high-definition digital transfer was created in 2k resolution on a Spirit Datacine from the new dupe negative. For the extensive restoration of Seven Samurai for this release, several different digital hardware and software solutions were utilized for flicker, instability, dirt, scratches and grain management including: daVinci’s Revival, Discreet’s Fire, Digital Vision’s ASCIII Advanced Scratch and Dirt Concealer, and MTI’s Digital Restoration System. To maintain optimal image quality through the compression process, the picture on this dual-layer DVD-9 was encoded at the highest-possible bit rate for the quantity of material included The new 4.0 mix was created from original optical track recordings, original stereo music masters, and original production sound effects masters. The original monaural soundtrack was mastered at 24-bit from on optical soundtrack print. Audio restoration tools were used to reduce clicks, pops, hiss, and crackle. The Dolby Digital 1.0 signal will be directed to the center channel on surround sound systems, but some viewers may prefer to switch to two-channel playback for a wider dispersal of the mono sound.



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