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CAST & CHARACTERS:
Park Joong-Hoon as Kye-Baek: nothing but endurance and driving power.
One of the best actors in Korea, Park Joong-Hoon has played a variety of characters from a greedy cop in Two Cops, a weak husband who tries to kill his cruel wife in How to Kill My Wife, a overnight millionaire in Take the Money and Run, a crook who turns into a pastor in Hallelujah and a dirty cop in Nowhere to Hide. And he was recently invited by director Jonathon Demme-Silence of the Lambs-to act in the Hollywood film The Truth About Charlie.
"If you want to die, then let me see you kill ten enemies with my own eyes first."
Now Park is back to acting in Korea as Kye-Baek. Kye-Baek was obstinate, upright and true and loyal to the king and kingdom. Although he was not as good at strategizing and the tactics of war as Kim Yu-Sin, he knew how to motivate is army into battle.
His credits include:
A short Love Affair, 1990
Two Cops, 1993
The Rules of the Game, 1994
How to Kill My wife, 1994
Two Cops 2, 1996
Hallelujah, 1997
Nowhere to Hide, 1999
The Truth About Charlie, 2002
He was awarded:
Best leading actor in Nowhere to Hide by the Doville Film Festival
Best leading actor in Two Cops by the Daejong Award Ceremony
Jung Jin-Young as Kim Yu-Sin: a commander with strategies and tactics.
Another versatile actor, Jung Jin-young made his silver screen debut in Opening the Door of the School and just kept getting better from there. He is acting was impressive in A Promise where he plays to role of a gangster who gives up his life for his boss. He also starred as the doctor in The Ring Virus, and as a valiant warrior in love with a woman in Bichunmu. He plays a cold-blooded, logical cop chasing a killer in Guns and Talks, a monk in Let's Play, Dharma and a tough but humanistic cop in Wild Card.
"You don't know a damn thing about war. If we start an all-out attack, we're all dead. You know what? Kye-Baek killed his own family for this war. It shows his resoluteness for this war. He inspires his men to die for him."
Kim Yu-Sin was known to have been brutally steadfast once he made a decision. There is an anecdote in Korea that says that when Kim Yu-Sin decided to stop patronizing a bar that he had been a long-time customer of, he killed his horse because it habitually went in the direction of the bar. In the movie, Kim Yu-Sin is depicted as a clever commander who utilizes psychology as one of his weapons.
His film credits include:
Opening the Door of the School, 1992
A Promise, 1998
The Ring Virus, 1999
Bichunmu, 2000
Guns and Talks, 2001
Let's Play, Dharma, 2001
Wild Card, 2003
I Want to Know That, 2003
He was awarded:
best supporting actor in A Promise by the Blue Dragon Awards
best supporting actor in A Promise by Daejong Film Awards |
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ABOUT THE DIRECTOR:
We Koreans have several traditional games based on the war styles of Corea, much like soccer in England. War itself can be said to an aspect of the whole culture. Taking this point of view, I directed this movie by adding a sort of festive atmosphere to the war scenes. In every single struggle, such as war, cheering for games, and even the struggle for power, we can see unity in the group, a kind of humanity among the inhumanity.
For the last 5 years, Lee Joon-Ik has been involved in the planning, production and directing of Once upon a time in a battlefield... . Since his directing debut of Kid Cop, 1993, he has been involved with a variety of film-related work, such as film marketing, production, importing and distributing. The film industry has been undergoing change and so it is beneficial for a director to have a keen sense of the film market. Lee Joon-Ik brings not only his accumulated knowledge of production, but his ambition as a director to Once upon a time in a battlefield... . |
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PRODUCTION NOTES:
History and humor--the fusion of the two have never been better than this. They made history in 660 A.D., and we added humor in 2003.
There was much consideration involved in how to depict something of such a serious nature and importance to Korean history and make it fun for the silver screen audience. There are many historical dramas on TV but by comparison few movies have been made on the subject. Once upon a time in a battlefield... looks back at a very serious time in Korean history but interprets those events for the audience in a more casual and fun, although very realistic and true-to-detail way.
Once upon a time in a battlefield... makes use of laughter, not the dry facts of history books, to portray history. We firmly believe that the best method of dealing with a serious theme is through the fun of satire. One of the ways Once upon a time in a battlefield... effectively inserts humor into the serious situations in this film is through the use different dialects. Every nation produces comedy through the observance of colloquialisms, intonations and inflexions of the different dialects of that country. For Koreans, the assumption alone that the Baekche and Shilla dynasties might have spoken very different dialects is enough to challenge our ideas of history, which have been related to us through our standard dialect. Once upon a time.. 's use of humor is a non-intrusive way to make us question the truth of our history.
2000 extras, 300 tons of mud, 50 tons of water, and $500,000; the grand scale of the Hwangsanbul battle scene makes for greater viewer entertainment.
Once upon a time in a battlefield... is very distinct from other Korean comedy films in its scale and size. A completely new set, costing nearly $1,000,000, was built exclusively for the filming of Once upon a time in a battlefield.... This sets Once upon a time in a battlefield... apart from most other films, which make use of existing sets. There have only been a few other movies of this scale in Korean film making history, putting Once upon a time in a battlefield... in the same class of films as J.S.A.
The climax of this film is the battle scene. This scene alone used 2000 extras and actors and was shot over a period of ten days. The filming of this scene was so grueling that less than 10% of the actors worked back-to-back days. Most of the actors who work as extras in Korea were employed for this scene one way or another. In order to make mud for the final battle, 300 tons of mud 30 tons of water were used and an additional 20 tons of water was used for rain. This scene alone cost more than $500,000.
THE SET IN BUYEO
This set is located on the Official Site for the Cultural Revival of Baekche. The area of the set covers over 17 acres and contains 45 battle tents and several wooden barricades 6 to 15 meters high and 180 meters long.
Among the many candidate sites for the Hwangsanbul set, Buyeo was selected because of its geographical features which resembled the original Hwangsanbul site that today is not suitable for filming. It has the mountains, which stood as a natural defense against the advancing Shilla army and nearby is the famous cliff where, according to legend, 3000 palace girls committed suicide by jumping after the king of Baekche surrendered.
The area was farmland that had brick paths meandering through it, so there was a great amount of preparatory work to be done before the constructing of the set could actually begin. 50 landscapers worked for several weeks clearing the area and making a drainage system that would serve to divert the monsoon rains from the area.
1. Production Cost: 800,000 U.S. dollars
2. Period: 3 months, March to May 2003
3. Materials: 20,000 trees were planted, including pines, bamboo, and even imported trees from Australia |
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