| I was stunned from the first minute and 81 minutes later, I'm still exhilarated. "Run Lola Run" is a wildly stylish German thriller that takes the visual thrills that were presented in this year's "Go" and takes that kind of energy down to the essentials. From the opening frame, the movie never stops. Music pounds away, urging it onward to an almost unreal pace.
The plot is simple and we're thrown into it from the very begining - Lola (Franka Portente) recieves a call from her boyfriend Manni that he lost a bag with 100,000 marks that he was supposed to deliver. If he doesn't come up with the money in 20 minutes, he's dead. The movie screams at you; throws almost every trick in the book at you, even shows sequences as cartoons.
And so Lola begins her run - faster and faster, with an incredibly surreal and wonderful style cutting the pieces together. When Lola bumps into someone, we see (via snapshots) what happened to that person after she bumped into them. Potente makes a fantastic lead actress - there is an urgency in every word, every emotion, that makes us want her to win in the end. The story has alternate versions of what could happen as it spins around on itself, thrusting forward yet again. "Run Lola Run" is unlike anything I've ever seen - it's a rush of energy unlike anything in film in the past couple of years, and I think it's really one of the best films of 1999. |