The year is 2046 and our 82 year old Golden Chicken (which is slang for prostitute) Kum (Sandra Ng reprising her role), although younger looking thanks to millions spent on plastic surgery, spots a heartbroken man (Chapman To) planning to take memory loss-pills. Claiming that Hong Kong people have a way of forgetting, she begins to recap part of her life story, starting in 2003 during a time where she's desperately looking for a husband and the SARS outbreak happens. Also of importance is the story, starting in 1980 between her and her cousin Quincy (Jacky Cheung). One where romance was quickly shattered because of greed. Those memories continues on during sporadic meetings in the 90s and in one defining moment in the aftermath of SARS...

Samson Chiu continues writing his love letter to Hong Kong, and you're god damn right he should be able to do so! What Golden Chicken 2 lacks in pure thoroughness, it makes up in the message it presents to the Hong Kong people. Of course that was needed after another hardship endured in the form of SARS. Therefore, Golden Chicken 2 feels uneven but the goal of putting a smile, a tear and inspiration into the Hong Kong people's minds succeeds greatly, just like the first movie. Only with more heartfelt results this time around in the eyes of this Westerner.

The portrait of Hong Kong in the sequel centers once again on the backlashes they are the subject of. Funnily enough, Chiu's Hong Kong of the future is a nigh on perfect one however. There's pills for most diseases and economy is better than ever. Which of course is part of the ultimate positive message delivered, this time in an overdone fashion for sure but I don't mind the makers going all out. Viewing audiences are still bound to take with them something positive. The 2003 aspect of the movie is dedicated much to the months leading up to, dealing with and thankfully getting through the SARS crisis, the movie's definite shining moments. The subplot concerning Ronald Cheng's character, who barricades himself in Kum's apartment and is obsessed by body hair, sure reeks of weirdness but gets a fair emotional payoff in the end but the standout moments come in the understated relationship between a doctor (Leon Lai) doing battle with SARS and Kum. It does eventually go the highly melodramatic route with Canto-pop blasting away but makes sense on a realistic level and provides Leon Lai with a suiting character to play. I bear no shame when I say that this, albeit short section, is terrific and highly touching. It also shows the effect SARS has in dividing a rightfully paranoid public. Chiu is definitely pushing the right buttons here.

Events are kept to a select few for the sequel, making it more of a focused experience but one flaw it does possess, but one that undoubtedly works for the local audience, is that pesky whacky Hong Kong comedy. This type of exaggerated and broad humour is a staple, trademark and a recipe for box office success but if us on the outside can't connect to it, what's left is the actual drama and seriousness of the story, which is what I wanted more of. Chiu doesn't destroy either mood by having them interfere with one another but proceedings do drag when we're in whacky territory of the film. Having said that, there are some clever comedic touches such as Kum making her facemask a workable fashion accessory and while not subtle, the digs at Wong Kar-Wai's 2046 (that was still not finished when Golden Chicken 2 started production) and the revelation of the future president of United States are fun. Watch out for an homage to producer Peter Chan's Comrades, Almost A Love Story or rather one of its key shots also.

Another problem with the first film and what continues here is that I find Sandra Ng the actress compelling but not the character she's playing. Or rather, I don't find her special enough to warrant two movies but those feelings definitely set in more when there's comedy on display. Screenwriters James Yuen, Aubrey Lam & Mark Wu actually connects the movies nicely in a key way and the ongoing 20 plus year romance between Kum and Quincy turns out to be surprisingly compelling. But it comes in bursts, that's the problem with the Golden Chicken films.

While more restraint consciously, being an Applause Picture production, the film looks superbly professional with suiting design work all round and an non-intrusive style that immerses the viewer to perfection. Applause is on to something and has been for quite some time. No technical laziness on display here.

Again, no fault of Sandra Ng and it's just my preference in regards to the huge spotlight on the character of Kum, but Sandra makes great use of what she has to work with. Thankfully, there's more development to her that generates drama and that Sandra can do extremely well by now (even though the hysterics of some of the melodrama could've been taken down a few notches by director Chiu). She makes the moments that I like seeing with Kum, entirely worthwhile, bouncing well off her co-stars, in particular Jacky Cheung.

Cheung's Quincy is a vile, deceiving little creature with a nervous titter that drives you up the wall. Sign of a good performance? Yep, but the surprising end to his part of the movie and its effect is due to Cheung's previous outrageousness. That leads up to a superb dramatic moment, his last minute on the screen where the filmmakers show a better restraint in the melodrama as well. Evolving maturity in certain performers is great to watch, Cheung being one of those examples. Anthony Wong, Angelica Lee and, in an updated version of his cameo from the first film, Andy Lau turn up for pleasing screen moments as well.

Golden Chicken 2 still suffers from a flimsiness found in the first film but as with that one, Chiu communicates the uplifting message to the Hong Kong people very well, in a sloppy Lunar New Year kind of way (this was a Christmas release though I should point out and a few days afterwards, the Hong Kong people lost Anita Mui to cancer). Thankfully, the heartfelt nature of the different hardships registers more favorably this time around for an foreign audience. Perhaps because we knew more of the SARS outbreak that features prominently or perhaps because Samson Chiu has just made a better film? You be the judge.

Like the first installment, the story is told in flashback. This time, Kum tells her story to a suicidal man (Chapman To) who is trying to erase his memory on the eve of the 50th anniversary of Hong Kong's handover to China. Kum has two tales to relate -- the first deals with her early years in the "business" as she deals with the growing feelings she has for her money-hungry cousin (Jacky Cheung), and the second takes place during last year's SARS crisis, as she attempts to make a living while dealing with germ-conscious HKers and a strange client (Ronald Cheng) who has an obsession with hair. As with the previous picture, Kum and her actions are seen as symbolic for Hong Kong as a whole.

Like I said before, Golden Chicken 2's main problem is that it never really seems to find its' groove. For instance, in the more modern part of the flashback, the bits that deal with SARS are extremely serious, but the segments which deal with Ronald Cheng's character are almost Wong Jing-esque toilet humor. When the viewer is expected to be sympathetic to his character after his true motives are revealed, it doesn't work because we still see him as a weird buffoon.

Still, Sandra Ng once again gives a great performance, and the cameos by various stars definitely liven up the proceedings (of particular note is a hilarious one by Andy Lau as the future Chief Executive of HK). There's nothing really that bad about Golden Chicken 2 -- in fact, I'm sure that fans of the first film will still enjoy this outing. There are certainly some funny bits, such as a joke that Wong Kar-Wai's 2046 finally got finished by that date, and there is some effective pathos, like Leon Lai's portrayal of a doctor getting burnt out while dealing with SARS patients. I just which the film-makers would have focused themselves a bit more and made a more cohesive product.