 This film is a rare example of a film about an artist which does not do an injustice. (After Vermeer, Pontormo, etc., who can still expect something good?) Not only: the actual paintings and calligraphy used--must have gotten a real artist this time--are not travesties, but good enough to bring a real appreciation to them. I understand that there are other marvelous Korean films, including by this director. What are the chances of them being made available? |