The Grapes Of Death: Viewer Comments

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The Grapes Of Death
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    by Se13an


Jean Rollin's second best film in my opinion (second only to "Fascination"), about pollution that gives people big ugly sores and turns them into psychotic killing machines. Unlike "Zombie Lake", this movie is actually good. It does have that signature Rollin dreamlike quality as the poor heroine stumbles from one place to another only to find more death. You could call it a zombie movie, much like most people think of "28 Days Later" as a zombie movie, but these people are still very much alive, just crazy. An offbeat zombie movie that, unlike many other offbeat zombie movies, is actually good.
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    by Craig Blamer




One of Jean Rollin's Best!

This neglected cult classic is finally available for the first time in the States, on DVD with a gorgeous looking (and sounding) transfer by Synapse Films. It looks great - probably better than it did in the theatres. Not exactly a zombie flick, but that is the closest genre you could categorize it. It follows the trials of Elizabeth, a young woman traveling by rail across the French countryside, en route to meet with her fiancé, who runs a winery. Before she reaches her destination however, she encounters a homicidal man who has just murdered her traveling companion, and whose face disintegrates before her horrified eyes as he chases her off the train. Lost in the rural expanse, the woman encounters various peasants who seem to have become trapped between life and death, driven mad by the pain of decaying alive, and more than eager to throttle her and visit various abuses upon her body (implied by the fact that any uninfected individual she comes across in her adventure inevitably takes the proverbial bullet for her - by pitchfork, hatchet, or whatever lethal tool the living `dead' have at hand at the moment). Finally, it is revealed that her fiancé has been pumping out wine tainted by pesticides, which has been consumed en masse earlier at a festival by the unfortunate villagers (talk about becoming dead drunk.). This is easily one of Rollin's most accessible films, but may not be to the tastes of anyone weaned on Empty-Vee styled horror flicks. But for the discriminating palate, this is definitely recommended -- leisurely paced, atmospheric, and with liberal dollops of gore and mayhem to boot, this is late 70's horror at its best.

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