 |  |  |  |  I really want to give this five stars. The leads, Han Suk-kyu and Shim Eun-ha, give the excellent performances they usually do, together or apart, and the cinematography is excellent in both day and night shots. The storyline is generally compelling, and no effort is spared to give realistic gore. Still, there is a serious failing. Each suspect's possible guilt is well supported, but a final twist undercuts the actions of one of them: wait, if THIS character is really the killer, why did THAT character do that? This may require a few more viewings. So much is good that maybe that last turn can be justified. | | LOG IN TO COMMENT ON THIS REVIEW! |
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 |  |  |  |  This is a great movie for those who enjoy police mysteries. A series of puzzling, gruesome murders all link back to one woman, leading the police on an intriguing chase. There are a few "ewww, gross" moments where I had to cover my eyes (some of these Korean films are little heavy-handed with the theatrical blood). Enya's haunting, beautiful song "Boadicea" gives a different perspective on the murderess during a flashback. The film is well-paced and the script is well written, all the way through to the creepy conclusion. It keeps the viewer guessing, "did she or didn't she--is she or isn't she?" | | LOG IN TO COMMENT ON THIS REVIEW! |
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| Don't you just hate it when you are taking out the garbage and you accidentally rip the bag and make an ungodly mess? After watching Tell Me Something, you will understand that egg shells, banana peels, and assorted trash poured onto your floor would be a blessing compared to what could have happened. When Hefty bags get poked here, aside from gallons of blood, body parts come sliding out. Try and sop up that with a roll of Bounty!! Mysteriously, these bags of mismatched parts are popping up on elevators, basketball courts, inside of cars, and on the expressway.
While being investigated for corruption and mourning the recent death of his mother, Lieutenant Cho is suddenly assigned to this intriguing mystery. A mixture of macho stoicism and keen attention to detail, Cho makes an interesting movie cop. His scenes with dialogue seem limited. He's more introspective than most big screen constables. At times, he almost vanishes into the scenery, but that is not to say he lacks screen presence. It is indeed an odd mixture.
One could label the majority of this film's performances as cold or plain, but that would be too simple. I believe this to be purposeful. Director Chang Youn-hyun paints a world of subtle gloom where its inhabitants seem to have given up on hope. This bleakness may bother some.
Cho's investigation eventually leads him to Chae, a lonely museum curator. As it happens, Chae has been romantically involved with each of the victims. Because Chae has seemly blocked out her past mentally, Cho chooses keep her under round-the-clock surveillance. Suspects begin to pop up everywhere as one murder scene leads to another. One of the real treats of this film is the logical way the narrative proceeds. Oh there are twists a'plenty, but there is always a path that leads to them.
Reminiscent of the American film Seven, Tell Me Something is eerily dark and methodically moves at its own pace. High on gore, low on action. TMS replaces gunplay with graphically amputated limbs and car chases with exploding garbage bags. Director Chang Youn-hyun tells his story with creepiness to spare. Like a two-hour episode of the X-Files, this film features plenty of flashlight and umbrella moments. Plus, the use of music and sudden sound FX creates more that a few uneasy pangs of dread.
It seems that the director understands this genre very well. He uses some of the serial killer cliches to lull the viewer into a false sense of security. Then during the last third of the film uses your own preconceptions to beat you senseless, dropping your jaw to the floor. But if you beat him and figure it out beforehand, you'll still be rattled by the near flawless execution (so to speak) of plot, character, setting, and mood.
Twisty ties anyone? |
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| I've been reading tidbits about Chang Yoon-hyun's thriller "Tell Me Something" on various resources on the web. Most of what I read were mixed feelings, but overall, I was surprised to see so many negative comments about it - everything from "there's not enough action" to "it's too much like Seven...", etc. Well, blah, blah and fucking blah. This ain't a John Woo movie or any other action movie for the matter. Anyone who thinks this was boring obviously has the attention span of a 3-year old kid on crack (as Numskull would say, or something similar to that). People have to learn how to sit through a perfectly entertaining film that doesn't involve big explosions, 5-minute shoot-outs or slapstick comedy scenes.
The poster art for "Tell Me Something" says it all - dark, mysterious and the two leads' faces don't exactly look like they're having the best day of their lives. In a sense, this art foreshadows the type of film you're getting into.
A cop, played by Han Seok-Kyu ("Shiri" and "Christmas in August") is currently being investigated for possible police corruption. Just when he thinks this is the toughest situation he's ever faced as a working-cop, things start to get worse: plastic bags filled with freshly cut bodyparts begin popping up in streets, elevators and playgrounds and he's just been assigned to the case. Some of the bodyparts found are soon linked to a beautiful, but estranged, woman played by Shim Eun-ha ("Interview" and also "Christmas in August"), who seemed to have had some type of relationship with the victims in the past. This instantly makes her an accountable suspect - but as we know, this would be way to easy for the cop and the audience to endure.
Trust me folks, this is way cooler than it sounds. From this point on, the suspense and intrigue piles on. Suspects become victims and victims becomes suspects. More and more bodies, less and less answers. It's apparent that the makers of this film wanted to shock people with gore and realistic images of autopsy scenes, some of which reveal some of the best make-up work I've ever seen - especially for a Korean film that's 1/16 the budget of an average Hollywood film.
One crucial element that really modifies certain scenes is the use of it's soundtrack. Of course, this is the case with many movies, but with "Tell Me Something", it has some real inspiring music that's almost unfitting but oddly fits well - especially during one of the last scenes of the film before the credits roll. Also, surprisingly in this soundtrack, is the presence of a creepy, great song called "The Crawl" by Placebo which plays a during a crucial part of the film.
"Tell Me Something" pulls no punches, and talk about a terrific ending. Han Seok-Kyu, Shim Eun-ha and the entire cast are excellent. |
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| I'm truly surprised that the Korean cinema hasn't caught on here in America. From what I've seen from them, I've never been let down. First, there was SHIRI, a big budget terrorists vs. the government Hollywood style movie. Then the spectacular MUSA, and well, you know my feelings on that one. It was just fantastic. One of my favorite movies of all time. Next was BICHUNMOO, a grand martial arts Kung Fu Theatre epic. Then NO. 3 (AKA NUMBER 3 KILLER), a quirky gangster PULP FICTION type of film. And now we have CHANG YOON HYUN's TELL ME SOMETHING, a very good serial killer murder mystery flick. It's also what I call a "Sunday afternoon movie". You know, it's 6 or 7 pm and there's nothing on television to watch so you nab a nice thought provoking drama or crime/suspense flick from the video store and you kick back and watch it. Director DAVID FINCHER's movies like THE GAME and SE7EN are good examples. And this is just as good. But what's so special about this particular one is that you not only get a great "thinking movie" storyline, it also supplies the pleasant blood and gore that most Hollywood films of this sort only hint to or simply happen off-screen. HAN SUK KYU (from SHIRI and NO. 3) stars as troubled police detective Cho on the trail of a terrible serial killer that chops up the bodies of the victims and spreads them throughout the city in black plastic garbage bags. But the nifty new trick here is to mix them up. In bag #1, you may get the arms, head, and heart of victim A. In bag #2 located somewhere else, you find the legs from victim A but they're mixed up with the guts and hands of victim B. Then in bag #3, there's the head and heart of victim B with the legs and guts from victim C. And so on and so on. Get the picture? So after discovering several bags and finally piecing them together like a puzzle to identify the corpses, he finds one link between them all, a lovely young museum curator named Su-Yeon (actress SHIM EUN HA). She's had affairs with all the male victims at one time or another so maybe she's gotta be the killer, right? Well, as I said before, this is more of a "thinking" movie so it's never who you'd expect. There'll be plenty of other suspects to point the finger at as the movie goes on. So without giving away any more details that may spoil the movie, I'll wrap this review up rather short. All in all, this was just another example of how good the Korean film industry has been for me. I hope they continue to impress and maybe, just maybe, they'll find a home here in America. |
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