| Tai (John Cheung) tries to enter the local martial arts school (to further an already decent amount of skills but mostly does the dishes or flat out end up in trouble. Mostly making enemies with the stuttering son (Cheng Hong-Yip) of a wealthy man, Tai tries being the student of contract killer Lo (Hwang Jang-Lee). One of many ventures to not work out, Tai's true skill will blossom under the guidance of Chin Pai To (Fan Mei-Sheng) and then it's out to rid the world of fraudulent masters and hired killers...
We smell the influences of Snake In The Eagle's Shadow and Drunken Master early and as much as The Eagle's Killer rips off, it goes certain unexpected directions as well. However it doesn't make it more than a fast-paced annoyance with skills aplenty sporadically. In a fine opening credits demo, we see Hwang Jang-Lee crush bones literally and it's clear he will light up this movie despite himself running on repeat. The film is actually fairly sparse on martial arts and chooses to dabble in comedic scenarios requiring choreography instead. Lacking the more tuned touches needed to stand out, at least you won't see people fighting over money stuck in the mouth of a dead master or our lead being sold as a male sex slave! Originality perhaps, it barely registers and when adhering to age old structure eventually, we look at our hero Tai and feel little relation to his revenge on the world who rejected him. In fact, the cockiness doesn't play well either and as a lead, John Cheung lacks appeal. Chiang Kam co-stars while Wong Jing co-wrote the script. Director William Cheung brought us notorious snake terror in the form of Calamity Of Snakes 2 years later. |