 |  |  | | 
Not as good as the original "Feel 100%", but still enjoyable. It's fun to revisit the characters. More plot and character development than you will find in American romantic comedies. | | LOG IN TO COMMENT ON THIS REVIEW! |
| |  | |  |
| | | | | "I am not a sequel!" the film screams and tries hard to grow up. From the uncertainties of romantic endeavors to the solid ground of responsibilities, it means to inform us that maturity signals a fall from the heights of sweet but illusory romance, to hit earth, and to squarely face reality. The film does not profess a happy tone. Its depiction of the loneliness after a break-up is particularly painful and desolate. Life is not always carefree; there are many pockets of sadnesses. Perhaps all this is a suggestion of the irrevocable loss of youth. This viewer is just unprepared to "feel so sad." | | LOG IN TO COMMENT ON THIS REVIEW! |
| | | | |
| | | | | Everyone has a gang that he or she hangs out with. Here Joe Ma creates a purified and ideal milieu where all emotional entanglements are merely dishes of different tastes. All the sweetness and gall are for your tasting pleasures, and there is no room for the characters to neither grow nor become bad. And Chingmy Yau contracting an incurable disease is nothing but a trick - a game of sorrow. A movie without bad guys and pressure cannot have conflicts and resolution. But it has ample space to wax lyrical and therefore allows the viewers to relax. To me, that's the "right feel"! | | LOG IN TO COMMENT ON THIS REVIEW! |
| | | | |
| | | | | Still a marshmallow romantic love story. The sequel bustles with activity but as a whole is disorganized and lackluster. The ménage a trois of Ekin Cheng, Chingmy Yau and Sammi Cheng appears to make a bold move on emotional crises, but is in fact bland and coarse and very unconvincing (the sudden coming and going of Yau is particularly deadly). Rather, the mis-matched couple of Cheung Tat-ming and Gigi Leung deliver more endearing touches. After all, it's easier to depict the joys and sorrows of pursuing chicks than maintaining a relationship. On the other hand, the cast has ample opportunity to make good its acting talents. The real pleasant surprise is the encounter of Cheung Tat-ming and Eric Kot - a bona fide climax. | | LOG IN TO COMMENT ON THIS REVIEW! |
| | | | |
| | | | | The characters in part 1 are younger; the film portrays their aspiration to enter the world of grown-ups and sees them surging forward with scant regard for looking back. They are a bit older here and they can go down memory lane without regret. It is a clever move to change the characters' names and identity, so that Jerry and Cherry can remain virtuous, and thus allows romantic conquests to change into co-habitation, and avoids the pitfalls of Who's the Woman, Who's the Man . The incurable disease packaging is as moving as the secret admiration theme in the predecessor. The Chingmy Yau character is, strangely enough, quite pleasant. Compared to Part 1, the teenspeak lingo and the name brand fetish seem forced and affected. | | LOG IN TO COMMENT ON THIS REVIEW! |
| | | | |
|
