| I jumped into this film not knowing what to expect other than the fact that it was a Korean crime film that looked interesting. Still, after the first 30 minutes, I was trying to get comfortable with what I was dealing with. It wasn't even the plot that I was trying to grasp. It was the overall style of the film that seemed to have as much assortment as a box of Crayola Crayons - the BIG box that came with the plastic sharpener, you know, the one you could never talk your mommy into buying you which caused you to end up with the cheapy 12-color version.
Though not nearly as drastic as those acid-camera techniques seen in Oliver Stone's "Natural Born Killers", "Nowhere To Hide" falls somewhere in between that and the norm, maybe a little more towards the norm. The film opens with a black and white (with a sorta brownish tint) scene that introduces it's two main characters: hard-edged cops Joong-Hoon Park and his partner (It's gonna take a little time ID'ing these Korean actors so just bare with me). The light-action opening sequence comes with it all: sinister-like screams, extreme close-ups of things to be used as weapons, and exaggerated sounds of shoes screeching against the floor. And let's not forget slow-motion shots and freeze frames.
After all that black and white stuff, the big transition occurs. We get a fun-loving opening title sequence with the words "Nowhere To Hide" (in bright shades of purple) whizzing by thinking we have just been transported into another movie's credits. Following the credits of Prince's favorite color, we get to sit back and enjoy the tragic moment in which the movie revolves around: The "Inchon's 40 Steps" murder scene where our main bad guy, named Chang Sungmin, is about to do a very bad thing. During this entire scene, a nifty remake of the The Bee Gees' "Holiday" overlaps what's happening and gives it a very melancholy feeling - it almost seems like we're watching an MTV music video with some beautiful, and extremely violent, imagery.
Don't get me wrong, this isn't that "style over substance" bullshit that seems to be popping up more and more in recent films, especially Asian films. "Nowhere to Hide" definitely has a plot and cast that holds it's own , possibly enough to where we can almost ignore all the imagery flashing in and out of the movie. It's not everyday you see a movie where a guy punches another guy and he gets thrown 50 feet back, then boom, you're back to a gritty, dramatic, realistic crime story that you set yourself into. That's what makes this film so special.
The entire cast seemed to fit the spaces pretty good - especially Joong-Hoon Park who I really look forward to seeing in more films. He delivers a unique flavor to his tough-guy role which may take the average viewer a while to like or get used to, especially with that grin of his.
"Nowhere To Hide" is a definite must-see. It has a few minor flaws that includes a totally out-of-placed rock soundtrack (the soundtrack consists of many different types of music, but only the rock soundtrack is a bit annoying) that seems to come out of nowhere. It's also not your typically paced action film which may be a let down for some. Why don't we put it this way, If you can enjoy a Beat Takeshi film like "Fireworks" and also appreciate a film like "Gen X Cops" then you should be fine. I may be using bad examples but fuck it - it's your choice. |