Very good preformances all around as Jimmy Wang Yu particularly shines coming off his 1967 classic, One Armed Swordsman. The action choreography of the great Lau Kar Leung is fast and furious as the viewer often needs to rewind and pause to see how Silver Roc cut down so many men with one stroke.

Director Chang Cheh also puts more emphasis on the characters' relationships and feelings (the love triangle) than many of his other films as it becomes the central plot instead of evil gang lords coming for revenge. Also notable is the beautiful scenery (mountains, waterfalls, sunsets) that is often seen throughout the film, which seems to go beyond the typical Shaw Bros. sets.

This is a great film that is a more than worthy addition to the King Hu/"Come Drink With Me" legacy.

This film tries to be stylish but often comes up empty. It really has no resemblence to the original except for some of the charcters, a charity donation, and Lau Ching Wan enjoying a bucket of chicken after failing to capture his suspect. The previous ultra catchy theme song was also brought back and given a French sounding remix. There were some good scenes, such as the bike ride on a rainy night, but I thought the ending was a complete letdown and never fully understood the use of the bald eagle.

This is still a decent film, as Johnnie To appears to be incapable of making a total stinker. It can be recommended but never compared with the original.

A great thing about this film is that it never takes itself seriously and people are slaughtered in comical fashion. I'm pretty sure that even unlimited machine gun rounds would not turn someone into a bloody skeleton. Adding to its over-the-top nature is the famous Japanese blood fountain which operated in overdrive in this one. The gore and makeup team did a great job in this as many of the kills were well made (especially the gangster that got shot in the back of the head).

This is a very fun film, but probably not recommended for the squeamish or people who ask questions. Turn off your brain and enjoy the ride as the cult classic hall of fame should be rolling out the red carpet for this one while Quentin Tarantino wishes he could make a film this cool.

This is a strange film that offers a naked zombie chick that is born from a dead crocodile stomach, an army of crocodile skulls, a character inserted in the film to further reach the T&A quota, an odd green head that looks to be either made of green slime or otherworldly that drips wax, bats that look like evil Beanie Babies, a decapitated wizard's head that spawns tenacles, regurgitation for consumption by your friends, and much, much more--a little something for everyone!

Highly recommended for anyone wanting to spend a wacky 1 1/2 hours or people curious about some of the darker Shaw Bros. films.

This film is another collaboration between director Herman Yau and Anthony Wong as they clearly tried to push the envelope even farther than the cult classic, "Untold Story". This is a very sleazy and dark film, with Anthony Wong rising to his repulsive peak. Like "Untold Story", Wong perfectly portrays a vile human being that alone makes the film worthwhile for viewers with a strong stomach.

Also included are several comedic quotes from sleazeball Wong that add lighter moments before and after the mayhem. Some of these lines are very amusing but probably not suitable to repeat. Director Herman Yau is an expert at setting the mood for these kind of films with many intense and repulsive moments. One great scene was when a mouse was run over by the cab Wong was riding in, showing that death follows this man no matter what type of breathing creature or the circumstances. Not even children were spared in this one.

Despite its many disgusting moments, "Ebola Syndrome" is a well made film with another great preformance from Anthony Wong in a role he seems all too comfortable in. This may also be the most unsanitary film ever made as blood, sweat, semen, and saliva were flying all over the place throughout the 98-minute runtime. I like that Herman Yau brought back the human beef buns from "Untold Story" (Africa Buns in this film) and also added a nifty spit cam that gives the audience an extra disgusting close up view. The moral of the story, if it has one, is to watch who you bully.

Highly recommended but not for the squeamish.

I do really like Tak Sakaguchi's screen presense and action sequences showing great promise when he figures out a believable story is important. The action scenes were intense and very believable since he would really hit people with his padded hands that were covered by his costume sleeves.

This film also included fun but very over the top action such as bazookas with homing missiles, zombies?, and strange pale people similar to the ones in "Seven Swords".

Still this film is fun but it comes back to questions like who are these people, what's the purpose of those girls, where did that weapon come from, etc...

Many people who like mindless violence and mayhem like I do will have a great time if they are able to put their mind on stop and "Death Trance" on play, but to people who ask questions during movies--beware

"Magic Blade" is a undeniable champion of kung fu cinema with an always welcome twist ending that should not be missed.

"Deadly Duo" does have several free for all fighting sequences packed within a short run time of 77 minutes. It can also be said that the choreography is not up to the standards of Tong Gaai or Lau Kar Leung, although there are some really cool moments with the trademark Chang Cheh bloodiness. The film also had some mistakes such as men jumping from a river somehow remaining dry and how the heroes had such an easy access to the fort as they made their escape. Then a plot was drawn up to get close to the Mongol leader which had no chance of success and raised the question why did they sacrifice their friend and just fight from the river which would of had a better result.

All of these issues with the film and the short run time makes me think that the people were short on time as Chang Cheh, Ti Lung, and David Chiang made six films together that year. It might not be up to the standards of the participants but still has entertainment value.

It is obvious from the opening scene that this is an extremely low budget Hong Kong flick. It is largely plagued with very amatuerish acting and awful action scenes. The action always seems to involve machetes and are annoyingly in your face and slowed down and sped up to mask the lack of training of the actors. The only person involved with this film with any name recognition is the director, Ivan Lai (of cat 3 fame). Although slow at times, it maintains a solid story and level of interest that could have been much more with more seasoned actors and a larger budget to work with...still not too bad.

Another great thing about this film is that it does have a replay value, even if it is to review or slow down the action sequences and the creative methods of pickpocketing.

One thing the viewer might notice is the film's age (1982) and how things have changed since that time. The fact that this film reflects its age (eg. nightclub) actually may add some more comedy and interest in the current or future viewer.

Good film, but I think they could have cast a better westerner than Richard Harrison, who looked like he wandered off the set of a "Planet of the Apes" film.

This film moves very fast as it tackles some problems facing the youth within Japanese society today. This movie only has a few violent scenes that are not ridiculously violent but instead focuses on their intensity. They can also be described as very realistic except for the always popular blood spray that seems to hit every corner of the room and the excessive blood puddles on the floor.

My main gripe is a lack of background information and character development of some of the interesting people such as Arano, Kamijo, and the very cool and sexy female grunge assassin. Oh, and the two westerners terrible acting.

Overall this is a very intense thriller that sucks you in and spits you out 98 min later leaving the viewer wandering if they took a single breath.

This film is very biased against Japanese martial arts, but well made and fun to watch. The film is also informative as it introduces several forms of Japanese martial arts although the director doesn't seem to be fond of any of them (especially ninjitsu which is basically called an ambush and dishonorable). Gordon Liu does a great job playing with several great Chinese weapons which easily trump anything the Japanese have to offer. It did seem that Leung doubled for Liu in the twirling 3 part staff scene which was almost identical to the motion Leung used in "Operation Scorpio", which he acted in and is an expert with that very challenging weapon.

Other than the fact that it's obviously biased, I can't find much to complain about. It's well worth a look.

My favorite part was the creative ending that showcased Sammo's acting ability after his undeniable physical skills. These types of surprise endings should be used more especially in the growingly predictable Hollywood "action" flick. This movie had it all with an underlining message that crime may have an unexpected consequence no matter how far you think you are on top.

I only wish they had a larger budget to add more fight scenes in the first half of the movie like Donnie Yen wanted...oh well still good.