Agreement:61% of 18 voters agree with Porky Lo Meng's reviews Gender: Male Location: MO Lists:WISH LIST (77) / OWNED LIST (177)
Bio: Ol' Skool fu fan - Shaw Brothers, Golden Harvest, Seasonal Pictures, anything good from the 60-70's. Wire is cool if done well. I dig flicks by Sammo Hung and the Yuen Clan (or Woo Ping alone), and you generally can't go wrong with David Chang/Ti Lung pairings, Chen Kuan Tai, Alexander Fu Sheng, the Venoms, Gordon Liu, Yuen Biao, Leung Kar Yan (aka Beardy), Lau Kar Leung & Lau Kar Wing, young Jackie Chan and Jet Li, among others
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Heroes Two (product link) Action/Adventure / Martial Arts “Heroes Two” is quite simply one of the best flicks Shaw Bros. ever produced, a MUST-see for any fan of old skool fu!
This flick was the first (and best) in the Shaw Bros. Shaolin Monastery series. Directed by the prolific Chang Cheh, and starring a then young and up-and-coming star, Alexander Fu Sheng, and the already veteran fu superstar Chen Kuan Tai, “Heroes Two” is an engaging story of two of China’s most legendary characters of marital yore, Fang Shih Yu (Fong Sai Yuk) and Hung Hsi Kuan.
A great story and a couple of stars is not enough to guarantee a classic movie, but solid acting (not just the two leads but their supporting cast) and awesome action is. “Heroes Two” has it all! Sorry, but not much more needs to be said. This is a 5-star classic.
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i totally agree.. and correct rating in my opinion.
“Wheels On Meals” is a Sammo Hung-helmed goofball kung fu/comedy (with the emphasis on COMEDY) oft lauded as one of the greats. Certainly “Wheels” has a great cast, lead by the Peking Opera School ‘brothers’ – Sammo Hung, Yuen Biao, and Jackie Chan, and fight-capable professional kick-boxer Benny ‘the Jet’ Urquidez.
Sammo has made some of the true all-time classic fu flicks, but this reviewer has to break with the mutual admiration society and state plainly that “Wheels On Meals” is not among the classics. Before all the rabid Jackie fans go nuts, this is not to say that “Wheels” is a bad movie. In fact it’s quite watchable and even enjoyable. The story is not bad, the goofball comedy is played to the hilt (as it is meant to be, over the top to the extreme – hell I almost peed my pants seeing Sammo for the first time in his 80’s weave complete with geri curl), and the acting is decent. BUT, as a fu flick (the other half of the formula) it simply fails to deliver for a vast majority of the film. For instance, there are only two brief fight scenes within the first hour of the movie and then we have to wait almost until the last 15 minutes for anything substantial to happen again.
Now, many reviews talk about the "great", "one of the best of all time", "best in all of Jackie’s films"...fight scene between Jackie and Benny ‘The Jet’, and it is good – but again in the opinion of this reviewer over-hyped. First of all, the fights look sped up at several points, and it is pretty clear from their motions that if Benny ever met Jackie in a back alley to have it out, he’d in reality kick Jackie’s ass. Benny ‘the Jet’ was not an undefeated kick-boxing champion by accident; but he’s no actor either – something the ‘three Peking brothers’ are. Yuen Biao’s fight with his baddie in the final fight sequences certainly shows off his quickness and acrobatic prowess but is too short to be terribly impressive. Sammo’s fencing fight in the same section is good but again restrained and short – certainly of the sequences Jackie’s is longest and best. Yet, even as good as this latter fight is, it’s not enough to make this a fu classic.
As an HK comedy from Sammo Hung, this is a solid 4 star movie; as a fu flick this is a 4 star movie for the 8-10 minutes of fight screen time, but only about a 1.5 star movie sustained in its entirety. In the end this reviewer is compelled to give “Wheels” not more than 3 total stars and this is generously erring to the comedy.
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Not really a disagreement, but it would be difficult for any fight to live up to it's gods - like build up.
"Invincible One" (aka, "Disciples of Shaolin") is not your typical Chang Cheh bloodfest or sprawling historical epic. Rather this is a kung fu drama, with an emphasis on the drama.
Alexander Fu Sheng and Chi Kuan Chun star in this 1975 Shaw Bros. production, one in a series of Shaolin movies staring the two and directed by Chang Cheh. "Invincible One" is a nominal sequel to "Shaolin Martial Arts" (also starring Fu Sheng and the legendary Gordon Liu).
The fu is sparse in this movie but the story is quite deep for a 70’s fu flick, and the acting (nearly all actors/martial artists with appreciable on-screen time, including Chang Tao and Fung Hak On who play their type-cast baddies, but with brains this outing – think some of On’s roles when he started working for Golden Harvest, e.g., "Warriors Two") is outstanding. Fu Sheng shows real acting chops here as the country bumpkin who learns about himself and his kung fu as he "grows" in the big city (okay, relatively small Shaw Bros back-lot village), while under the tutelage of big brother (Chun).
If you want to see a pure wall-to-wall fu flick with little to no story holding the fight scenes together (I too love such films), go try any of the many Venoms movies, don’t look to "Invincible One" to fulfill this need. But if you want a well-acted tale of the Shaolin-Manchu struggles with a few decent training/fight scenes, "Invincible One" is one of the best of its era.
Solid 4/5 star for story, 4.5/5 for acting, 2.5/5 for fu - overall 3.5/5.
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Good review! I agree with all your points, and I really enjoyed this gem, emphasis on the drama and acting!
Seven Swords (product link) Martial Arts / Swordplay/Sword(s) Like many of Tsui Hark's films, "The Seven Swords" is epic in scope, dark in emotion and cinematically striking. There are some truly despicable characters in this movie, but they are a large part of what makes it so compelling. Hark really knows how to pit good versus evil (that is certainly a central theme in his martial arts movies). While Donnie Yen is in this movie, he is just one of an ensemble cast that also includes Lau Kar-Leung (long-time Shaw Brothers director, choreographer and actor, and adopted big brother to Gordon Liu).
"Seven Swords" is a masterpiece in the Wuxia genre: the story sucks you in, the acting keeps you in, the visuals make you happy and the action makes you cringe.
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Nice. Someone who understands the genre and the meaning behind the story itself
It is easy to concur with other reviews that Sammo Hung does the BEST Bruce Lee impersonations of anyone. For a big dude, his moves are fluid and graceful as always. This is a fairly early flick in Sammo’s career, being his third directorial job. However, this flick is not of the same quality as either of his first two directoral stints: "Iron Fisted Monk" (1977) and the classic "Two Warriors" (1978, the same year as "Enter The Fat Dragon"). "Enter The Fat Dragon" may be a labor of love (Sammo was a self-professed fan and friend of Bruce), but it was low budget and shows.
The fights in this movie are decent in quality but too few in quantity – the one on the movie set with the ‘actor’ impersonating Bruce Lee is pretty good, especially since Sammo is a MUCH better Bruce impersonator than the other dude, who looks more like Bruce. Let’s face it, Sammo could never be mistaken for Bruce! The end fight in the warehouse is also pretty good (see below). There’s also a decent one where Sammo dispatches – Bruce-style of course – multiple punks in his uncle’s restaurant who won’t pay their bill. Otherwise the movie is mostly silly comedy and poor dialog.
The fight in warehouse with Leung Kar Yan and the two other dudes is pretty decent and is a cool homage to "Enter The Dragon" (ETD) – and the only real nod to that movie aside from the title and an opening sequence where Sammo is being transported by boat in the marina. The white dude in the warehouse fight is clearly supposed to represent the Peter Archer character “Parsons” from ETD (the limey bully who challenges Bruce on the junk while on the way to Han’s island and is tricked into meeting Bruce on “that island over there”), while the Chinese dude in black face, crazy afro wig and sideburns is a Jim Kelly nod. Of course Bruce didn’t fight Kelly in ETD, but had he he’d have probably kicked his arse like Sammo does the Kelly stand-in in "Enter The Fat Dragon". While not nearly so obvious, Leung Kar Yan might be a nod to Shek Kin’s “Han” character from ETD. It’s too bad Leung’s fight sequences in this movie were so limited as he’s one of the most under-rated and un-heralded of the HK stars of the 70/80’s.
In the end, "Enter The Fat Dragon" is a 2 star flick, with limited 3-4 star fights that Sammo and Bruce fans will appreciate but others might skip without missing too much.
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I agree Porky. This needed more fights to bring it up to pa.
I agree with most of your points, but still can't possibly agree with 2.5 stars. I really enjoyed this movie even during the non-fight scenes. It's just plain fun.
"Contour" was made by a bunch of martial artists and stunt people who call themselves simply: The Stunt People. These are some crazy, but VERY talented mo-fo's. Anyhow, these guys and dolls have been making martial arts/fu/action shorts for some time now and in 2006-07 produced and released their first full-length feature film, "Contour". Eric Jacobus, one of the founders of The Stunt People, wrote, directed and starred in "Contour". For those of you who know of Ed Wood, Jr. and his films, there is some similarity between "Contour" and Wood films in their shoestring budgets, poor acting, and horrible scripts--but that's where the similarities end. If Wood could kick arse like Jacobus he'd not be simply remembered as the worst director of all time but the worst director of all time that no one would dare tell that to for fear of getting their head crushed. Anyhow, "Contour's" plot is thin at best--hell I can't rightly tell you what the plot is--but it's okay since the plot and character developments are just means to connect the various awesome fight scenes. This movie is one fight to the next, with many lasting so long one will get tired just watching these guys/girls beat each other relentlessly. The fight scene near the end of the movie is nearly 20 minutes in length and is a masterpiece. Nevermind that all the characters in the movie are played by a handful of people (they wear masks of various types, many times causing me to laugh out loud at how stupid it all looks, to shield that they are in fact the same guys/girls); the entire budget of the movie (~$5000) was likely spent on water (for obvious rehydration), food, and medical bills (there is no way it was spent on much more); and that NO ONE in the cast can act (Jacobus is a pretty decent fu version of Bruce Campbell--even looks a little like him)--this is simply a tour de force of fu action. You will wince 30-30 times I gaurantee! The DVD [I watched] also has a docu on the making of "Contour" and The Stunt People, as well as several shorts and training pieces--all quite amazing. I highly recommend it--but don't expect great (or even good---mark that decent) cinema, you need to watch this knowing it's low budget for film, but as high a 'budget' for action as anything out there.
4.5 stars - deducting 0.5 stars for low-rent nature of script and acting (feels wrong to give it a 5 outright).
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Well said! I'm with you on this one. One of my favorites!
Hero [2002] (product link) Martial Arts / Action/Adventure
If you haven't seen the Jet Li movie "Hero" - SEE IT!!! It's not simply a kung fu or action movie. In fact, while the fight scenes are impressive - well except the one that got so much hype in the HK fan circles between Li and Donnie Yen (this one is OK but not as great as I expected) - they are not the anchor of the Film. Note that I used Film with a capital F - this is fine cinema. The director, Zhang Yimou, is a veteran HK director who specializes in highly stylized dramas. He didn't skimp on his stylized vision with "Hero". WOW! The cinematography is stunning, the sets and action choreography are intertwined with the camera work to produce simple beautiful images. Yimou's use of color and backgrounds is breathtaking. Three examples stand out: 1) the 'red' fight between Maggie Cheung (aka, Flying Snow) and up-and-coming starlet Ziyi Zhang (aka, Moon) in the leaves; 2) the 'green' fight between Tony Leung (aka, Broken Sword) and Daoming Chen (aka, the King) in the palace; and 3) the 'blue' fight between Leung and Li (aka, Nameless) over the mountain lake. If you are an old skool Fu fan (like myself) be aware that this movie is 'wire-fu' all out, but it's done well. I felt the 'wire-fu' in "Crouching Tiger, Hidden Dragon" was a bit too much, but in "Hero" it was more tolerable, and in large part this was due to Yimou's asthetic senses. "Hero" is a great story, told well through both dialog and visuals. This is a movie that both Fu fans and non Fu fans can enjoy. Watch it with or without the English dub (which is quite well done), but watch it - really watch it. You will be impressed. HK cinema kicks Hollywood to the curb!
In this reveiwer's opinion, Leung Kar-Yan (aka Beardy) is one the most underrated actors and splendid fu artists who graced the HK screens in the late 70's and early 80's (although he still works in film, those were by far his best years). "Thundering Mantis" would be a mediocre fu flick at best without someone of Kar-Yan's magnetism. If you've seen (and likely enjoyed) Sammo Hung's "Knockabout", you know how well Kar-Yan can hold the screen comedically and with his high energy speedy hands in fights. "Thundering Mantis" captures the best of Kar-Yan's fighting talents while downplaying his true acting skills. The first hour of the movie sets the stage for the final half hour--namely, you see the happy-go-lucky but oft-bumbling Kar-Yan, fishseller and kung fu kid, as he pisses off a local thug. He then meets a young boy who is trying to steal fish from him, who then indirectly leads Kar-Yan to an older fu master who uses the mantis style. Some repetitive and predictable kung fu theatre filler goes on until the old man is killed and Kar-Yan seeks revenge. The last 15 minutes of the movie is worth the price of admission--some of the best fu, speed and control of handwork one can expect to see. Kar-Yan is a man possessed. If you aren't a Kar-Yan fan when you put this movie in, you will be when you're done with it!
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You're exactly right about Leung Kar-Yan's contributions to this film. It is unlikely the end sequence would have worked so well with any other star or persona in the lead. This works so very well.
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