Why did I wait? This turned out to be one of the best martial arts movies I've ever seen. Yeah, sure, it's not realistic that this little chick could kick all this ass; but let's call a spade a spade: we don't watch martial arts movies for realism. Uma Thurman got to do it in "Kill Bill", and Jeeja Yanin deserves the same kind of props for the incredibly acrobatic, intricate, and downright dangerous screen fighting she unleashed in "Chocolate".

I know that giving a film 5 stars is a loud statement, and I'm not trying to state that this film is perfect. It's not. Definitely not. But despite its imperfections, the action was just so fun, the choreography so exciting and often unexpected, that I'm willing to err on the side of generosity for this little film that could.

I, for one, can't wait to see more of Jeeja Yanin. If this is just her starting point, I can't imagine what else she could achieve onscreen in the coming years.

Keep away from this if you are looking for an old school martial arts joint! I cannot find Jack Long nor Mark Long in this. This is some supernatural vampire movie starring a bunch of kids. I bought at my own risk, so I cannot return this.

I first saw this movie on a local channel when I was a kid. It blew my mind and I knew I was witnessing something special. I saw it again years and years later; in fact, I know exactly when it was: Summer of 1992. It was on the USA Network on a Saturday afternoon, and I remember my Mom came into the living room, right at the part when Shao Tien-Hao's about to take care of a little "Nuisance," and my Mom said, "What in the hell are you watching?" She said it more in horror than annoyance, because it's a pretty shocking scene: something you won't see the normal Hollywood hero do, that's for sure.

The movie already had great importance to me, but it rocketed into the mythic stratosphere just a few months later, when I entered college and met a guy who loved the movie as much as I did. But the important fact was that he had a copy of the original US video release, which was, cue fanfare, UNCUT. In fact this movie was partly responsible for the friendship between me and this guy, Ken, a friendship which continues to this day. So that's just one of the many reasons I'm such an admirer of this cinematic tour de force of violence, heroic sacrifice, and "forced prostitution."

I'll usually complain if a movie has too much action and too little story, and it's true that Five Element Ninja (or as I'll probably always call it, Super Ninjas) is mostly action. But when it's done this well, when the movie's this cool, who really cares? If you want crackerjack kung-fu choreography, bizarre yet deadly weaponry, cool characters in cool costumes, sexy ninja chicks in fishnet stockings, and warriors tripping over their own intestines, then boy do I have the movie for you.

Cheng Tien-Chi stars as Shao Tien-Hao, a cocky young kung-fu whiz kid. We really don't get to meet him for a while, though; instead, the opening half of the movie concerns a sparring match between Shao's school and a rival school. Things don't go so well for the rival school; even their guest fighter, a samurai, is defeated. The samurai calls in his ninja pals right before slicing open his own stomach. Eventually the ninjas issue a challenge to Shao's school. Their teacher, who's lost his kung-fu due to a poisoned dart the samurai threw at him right before committing suicide, sends off several of his best students, but keeps Shao and Chi Shang (portrayed by Venom Lo Meng) by his side.

Shao's schoolmates are slaughtered by the ninjas. There's no other word for it. Representing each of the five elements, there's the water ninjas, who come out of the water, the fire ninjas, who use fire and smoke tactics, the earth ninjas, who erupt out of the ground, the gold ninjas, who blind their opponents with their golden shields, and the wood ninjas, who hide inside of trees. During this long battle sequence the movie offers many grisly moments, with the aforementioned intestine-tripping, multiple hackings and dismemberings, and even (in the uncut version) a quick glimpse of a female fire ninja's breasts.

The ninja leader then sends in female ninja Senshi to gather information on Shao's school. Cozying up with the gullible Chi Shang, she successfully gathers enough details for the ninjas to mount a nighttime assault. This leads to the destruction of the school, the murder of the teacher and Chi Shang, and the capture of Shao. He's able to escape, due to a lesson he once received from an elderly Chinese ninja master. Shao finds this old man and learns the ninja arts. Eventually he's able to issue his own challenge to the ninjas, he and his three new brothers meeting each group and kicking ass. Along the way he settles his score with Senshi ("I was right. WAS I right?"), wastes tons of ninjas, and gains his vengeance.

The fighting in this movie is great across the board. It's one of the few kung-fu movies you could watch over and over, and never get bored. The Venoms movies can be seen as the peak of the Shaw Brothers kung-fu flicks, but sometimes their choreography was a bit too "hey, look at me!" sort of stuff. Five Element Ninja has acrobatic leaps and kicks and punches, just like the Venoms, but it's all certainly more hard-hitting. Weapons fighting takes predominance over kung-fu, but this isn't your typical swordplay movie at all. The choreography is flawless and shows off the obvious skill of the performers.

I have a feeling that if the Shaw Brothers had continued making films, the actors in this movie would have gone on to become Chang Cheh's "New Venoms." Most of them had already appeared in the final Venoms movie, House of Traps, but here they get a chance to shine on their own. In particular I've always liked lead actor Cheng Tien-Chi, who seems to me like the "Voltron Venom." If all the other Venoms combined, he would be the result: he's got the lead-actor qualities of Kuo Choi, the on-screen charisma of Lo Meng, the comedic talents of Chiang Sheng, the weapons mastery of Lu Feng, and the kicking ability of Sun Chien. I wish he'd made more movies, but he faded along with the Shaw Brothers moviemaking empire. A footnote to the Cheng Tien-Chi story is that he was good friends with Venom Chiang Sheng; it was Cheng Tien-Chi who discovered Chiang's body, dead from a heart attack, in 1991.

The other actors who stand out for me are the mustached Tien Hsiang-Lung as Brother Li, who makes a lone stand against the fire ninjas, the evil ninja leader Chin Tien-Chun, played by Chan Wai-Man (who'd been appearing in Shaws movies for at least a decade), and the three brothers who join Shao's cause. Then of course there's Lo Meng, who'd quit the Venoms crew years before, but stayed with the Shaws until the very end. He's always been one of my favorites. According to his biography on the new Celestial DVD release of Five Venoms, Lo's a TV star in Hong Kong these days, and lately he's been attempting to refashion his image as a comedic performer!

The pacing of the narrative is perfect. You might think this is just a schlocky fight-fest, but there's emotional content here. In fact, the ending gets me every time. Seeing the punishment the ninja leader puts his three new brothers through, Shao realizes what he must do. His final mad dash toward the leader, as various clips from the film flash before his eyes, is to me one of the many highlights of the movie.

This film is one of Chang Cheh's best, even if the sets are a bit cheap-looking (at one point you can see paint bubbles in the sky), and the costumes at times are too outrageous. (I don't know too many ninjas who would wear bright gold costumes, and believe you me, I know lots of ninjas.) In some ways, Five Element Ninja can be seen as an ultraviolent combination of Chang's earlier, more artsy (but bloody) movies and his later kung-fu fests. It's unfortunate that this was his last movie to make any impact, but at the same time, it's fitting.

I could go on and on, make this review epic length, but I'm trying to hold myself back. Hopefully I've managed to convey my enthusiasm. You know how sometimes you'll be watching a movie, and you'll wonder, "wouldn't it be cool if?" Like, "Wouldn't it be cool if ninjas erupted out of the ground?" Or, "Wouldn't it be cool if that dude killed himself with an axe?" Or, "Wouldn't it be cool if they fucking ripped the main villain in half?" Well, Five Element Ninja meets and exceeds your every "wouldn't it be cool if" wish.

As a final word, I advise all to out the Panmedia-released, uncut DVD of this film, which is generally listed as "Chinese Super Ninjas uncut." It's just a bootleg dub of a video, much like the NS DVD version you can find in stores is a bootleg dub of a video, but whereas the NS release is sourced from an edited version, the Panmedia disc is truly uncut, as it's taken from the original US video release. The same version my pal Ken showed me, all those years ago. And then when Celestial finally gets with it and releases the remastered version on DVD, buy that one, too. You'll want both. I'm dreaming of the day when Celestial releases this movie, but dreading it, too. Because I'm so familiar with the English dub (I could quote lines from it all day and not get bored), it's going to be hard getting used to everyone speaking in Mandarin. But, just to see this movie in widescreen, I can deal with that, no problem.

If I had to make a list of my top five favorite Shaw Brothers movies, Five Element Ninja would rank in the number one position. That's about the highest praise I can give it. I'm patiently awaiting the Celestial release. (By "patiently," I mean I'm kicking puppies every chance I get.)

Okay, I'll limit myself to just one more of my favorite lines in the English dub: "Look at this one! His GUTS are all over!" - Joe909

As expected, the cinematography and music are absolutely outstanding, and the entire film is, without a doubt, a technical marvel. However, the pace is at times, a little slow, and admittedly, Tony Leung's Chow Mo Wan is one of Mr. Wong's least likable lead characters (very different from the Chow Mo Wan of In the Mood For Love, although the differing characterization makes sense from a story standpoint).

For me, it's probably one of my least favorite Wong Kar Wai movies, but that really doesn't mean anything, considering I've loved every single one I've seen up to this point. There's really nothing particularly better or worse about 2046, and I'm sure someone will find this to be their favorite, depending on what they take from the experience. In any case, it's not to be missed. - Iuxion

In The Mood For Love: Exquisite. From the lush hues of the set design, to Maggie Cheung's seemingly infinite supply of cheongsams, to Shigeru Umegayashi's haunting music, to Tony Leung's performance, to Wong Kar Wai's direction--everything about "In the Mood For Love" is exquisite. And while I've praised the beauty of a film's cinematography ("House of Flying Daggers"); the beauty of its performers ("Hero"); the beauty of its performances ("Oasis"); and the beauty of its story ("Il Mare"); I've yet to see a film that was completely beautiful, from the costuming to the acting to the direction to the story to the score. Simply, "In the Mood For Love" is the most beautiful movie I have ever seen. - Alexander

Filmed entirely at Shaw Studios with brief location shots of Fu Sheng in San Francisco boarding a trolly, gives the film a somewhat surreal but classy look during a period when most contemporary HK films starred a Bruce Lee lookalike clone. Great story, fantastic fighting staged by the venoms mob, and Chang Cheh's great direction make this a sure bet for Kung-Fu fans!