"Death Proof", in its uncut, stand-alone format, takes a while to warm up. There's plenty of character development in the early scenes as we're introduced to Jungle Julia (the gorgeous Sydney Tamiia Poitier) and her friends. Vanessa Ferlito is the central girl in these scenes and captures the mood perfectly. When she's introduced to Stuntman Mike (Kurt Russell), her fear is portrayed perfectly.
The first half of the film is deliberately jumpy and covered in scratches and noise. "Death Proof" really does look like part of an old grindhouse double-bill but there are nods to the present day (i.e. the use of a mobile 'phone to text a boyfriend). It's great stuff - authentic and strangely absorbing.
Following a dramatic set-piece that will stay with the viewer forever, we meet the second gang of chicks with attitude. This second-half is a more polished affair as we see Rosario Dawson and her friends enjoying life. Mary Elizabeth Winstead is great as the beautiful young model and Tracie Thoms is spot-on as the strong-willed Kim. However, it's Zoe Bell who will really be remembered. In her role of stunt-girl Zoe, she performs in truly edge-of-seat action scenes aboard a charging car.
A great film and one that really starts to gel as it progresses. The soundtrack is fantastic and the actors are all thoroughly watchable. I was left feeling very impressed with "Death Proof" (and more than a little smitten by Ms. Dawson).
Kurt Russell is as good as ever as Stuntman Mike. He really is bad, mad and dangerous-to-know and his presence in the early scenes is remarkably unsettling yet darkly humorous.
4.5 stars. I'm really looking forward to watching this film again...
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Totally - Stuntman Mike is one sick mofo, Zoe Bell is my hero, and the end of the movie was just hot.
Well, when I settled down to watch the film, it managed to do something very few movies achieve....it surpassed my expectations.
From the very start, this little gem sparkled with a seedy charm that I took to my heart. If Tarantino had been born a decade earlier in Sweden, this would be the kind of film you'd expect him to be making. (Interestingly, this film was actually banned in its home country and was heavily cut on its release in most overseas territories.) As a revenge film, "Thriller" sizzles with energy. It has a great pace and the only time the film stumbles is during the short porn edits (so obviously filmed with different actors that the viewer's attention is displaced). These somehow made me feel like a naughty schoolboy watching an illicit dodgy video! Now, don't get me wrong. I don't have any objections to porn (my handle should perhaps be "Porn Connoisseur"), but somebody taking their Captain Picard up to warp speed and shoving it into a normal movie just doesn't work. Still, it added to that "I ain't going to find this on the shelf in my UK HMV"-feeling which always gives me a warm, perverse buzz.
I digress. The movie is beautifully shot, the delightful Christina Lindberg is splendid, the cast is suitably sordid and the music has to be heard to be believed. It ain't magical but it's memorable.
There are some great set pieces and one of the most unexpected car treats I've ever had the pleasure of watching.
A superb exploitation movie and well worth tracking down.
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Amen! I agree on all counts. This film is a guilty pleasure that's so pleasurable it's hard to really feel that guilty about it...
"The Texas Chain Saw Massacre" is a film that I didn't initially warm to. When I first viewed the film, some 20 years ago, I found the experience anti-climatic and over-hyped. Having since seen the film on the big screen (with an accompanying talk from Kim Henkel) and re-mastered DVD (thanks to Dark Skies), I've grown to appreciate "Texas Chain Saw" for the classic it is.
Tobe Hooper's opening to the movie is powerful stuff. The flash-bulbs of a camera illuminating the hellish scenes of decomposing bodies, accompanied by a wicked soundtrack, ranks amongst the best beginnings of any horror movie I've seen.
The film has great atmosphere, realistic performances, and a genuine "roller-coaster" feel. While later films such as "Wolf Creek" are arguably more effective, "Texas Chain Saw" set the stall out for its successors.
The raw energy of the performers is electrifying. Marilyn Burns' performance of the victim frightened to the edge of insanity is simply brilliant. Gunnar Hansen's lumbering, grunting Leatherface is one of the most frightening screen maniacs. There's nothing supernatural or super-human about his character. He's just a very disturbed individual who's very handy with a mallet or chainsaw! A genuine classic that has matured like a fine vintage, "The Texas Chain Saw Massacre" is a superb example of low-budget film-making delivering believable and effective results.
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I totally agree. When I first saw this film I was unimpressed, it didn't live up to expectations. But now I consider it a five-star classic due to the unbearably unnerving atmosphere that Hooper maintains throughout.
28 Days Later (product link) Horror / Thriller "28 Days Later" is a powerful British horror movie from director Danny ("Trainspotting") Boyle. When animal rights activists free contaminated apes from a laboratory, it's only a matter of weeks before Britain has been decimated. Infected individuals are kill-crazed zombies that move quickly and show no mercy. Cillian Murphy is the reluctant hero of the movie, a young man who was unconscious when hell broke out throughout the country. We join Murphy as he awakes from his coma and tries to find fellow survivors.
The beautiful Naomie ("Miami Vice") Harris plays the feisty Selena, a woman who is determined to survive.
This is an excellent addition to the horror stable. The real horror lies in the activities of mankind rather than the acts of the infected population. The scenes with Christopher Eccleston and his group of soldiers are chilling and thought provoking.
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I definitely agree, but I think I liked it even a bit more than you. This was a really important movie within its genre.
"The Gore Gore Girls" is a deliciously dark tale from "Master of Exploitative Horror On A Shoe-String Budget" Herschell Gordon Lewis. Frank Kress plays the anal-retentive Abraham Gentry, a private detective hired by a newspaper to find the killer of a stripper. He's accompanied by leggy Amy Farrell, an irritating but attractive sidekick. It's not long before the bodies start piling up as the killer's blood-lust continues.
It's difficult to believe that "The Gore Gore Girls" was passed uncut in the UK when "Blood Feast" had 23 seconds cut for "sexual violence". "The Gore Gore Girls" is probably Lewis' hardest offering in terms of on-screen violence. The gore is particularly over-the-top in this offering and it comes as no surprise that the censors came down hard on this film.
As a no-budget gem from the early '70s, I give this 3.5 stars. Viewers may be surprised to see Henny Youngman make an appearance as the strip club's Marzdone Mobilie.
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4 & 1/2 for me but only based on my mental stimulations over this film. agreeable!
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